To begin the process of creating the storyboard we initially finalised the cronology of the sequence and began the process of creating individual shots in storyboard order. This involved specifiing all of the individual techniqualities including location ,action, shot & movement, sound (Diagetic and Non Diagetic), lighting, edit transistion and timing.Shots
1.The gate is closed and we see a car arriving and stopping in front of the gate
2.Tom goes out to open the gate and then drives through it (when the leaves blow up they from “Milano Production Presents”)
3.Shot out of one of the windows in the house seeing the car arriving (we see the breath on the window and then a “A Storm Cunningham Film” is written in there”
4.POV shot of Tom looking at the house
5.shot from in front of the house seeing Tom getting out of the car and starting to walk
6.Track shot of him going to the house
7.CU of his face looking around anxiously (next to him a door sign saying “featuring Tom and Alabama)
8.ECU of him looking through the window
9.mid shot of h8im hearing the noises
10.shot of the lights flashing behind the door
11.Tom walks back the mid shot and down the front door stairs until he ends in a long shot
12.Camera sits in the back of the car and sees Tom arrive and enter the car
13.Camera zooms into his eyes and the flashbacks begin
14.Fast cut àfrom long shot to ECU of the masks on the children (cold breath comes out and builds ( Produced by Amy Milan)
15.Cut to Tom
16.Shot of Tom stiching the mask (sticking stuff builds “Directed by Storm Webster and Stephanie Mareen”)
17.Cut to Tom
18.Bloody hands writing “Edited by Tom Cunningham”
19.Zoom out of Toms eye
20.Shot out of the window of the house seeing the car reverse
21.Close up of tom using the gear stick 22.Close up of him using the gas
23.Camera in the backseat – view through the front side seeing the car leave
24.Drives fast and the front lights hit a kid
25.Shot from behind the kid looking at the front lights of the car
26.ECU of Tom blinking
27.POV shot of toim and the kid is gone
28.Shot through the wind shield on the backseat is a child
29.Close-up of the child – breath coming out and building the title
Monday, 23 November 2009
To begin the process of creating the storyboard we initially finalised the cronology of the sequence and began the process of creating individual shots in storyboard order. This involved specifiing all of the individual techniqualities including location ,action, shot & movement, sound (Diagetic and Non Diagetic), lighting, edit transistion and timing.Shots
1.The gate is closed and we see a car arriving and stopping in front of the gate
2.Tom goes out to open the gate and then drives through it (when the leaves blow up they from “Milano Production Presents”)
3.Shot out of one of the windows in the house seeing the car arriving (we see the breath on the window and then a “A Storm Cunningham Film” is written in there”
4.POV shot of Tom looking at the house
5.shot from in front of the house seeing Tom getting out of the car and starting to walk
6.Track shot of him going to the house
7.CU of his face looking around anxiously (next to him a door sign saying “featuring Tom and Alabama)
8.ECU of him looking through the window
9.mid shot of h8im hearing the noises
10.shot of the lights flashing behind the door
11.Tom walks back the mid shot and down the front door stairs until he ends in a long shot
12.Camera sits in the back of the car and sees Tom arrive and enter the car
13.Camera zooms into his eyes and the flashbacks begin
14.Fast cut àfrom long shot to ECU of the masks on the children (cold breath comes out and builds ( Produced by Amy Milan)
15.Cut to Tom
16.Shot of Tom stiching the mask (sticking stuff builds “Directed by Storm Webster and Stephanie Mareen”)
17.Cut to Tom
18.Bloody hands writing “Edited by Tom Cunningham”
19.Zoom out of Toms eye
20.Shot out of the window of the house seeing the car reverse
21.Close up of tom using the gear stick 22.Close up of him using the gas
23.Camera in the backseat – view through the front side seeing the car leave
24.Drives fast and the front lights hit a kid
25.Shot from behind the kid looking at the front lights of the car
26.ECU of Tom blinking
27.POV shot of toim and the kid is gone
28.Shot through the wind shield on the backseat is a child
29.Close-up of the child – breath coming out and building the title
1.The gate is closed and we see a car arriving and stopping in front of the gate
2.Tom goes out to open the gate and then drives through it (when the leaves blow up they from “Milano Production Presents”)
3.Shot out of one of the windows in the house seeing the car arriving (we see the breath on the window and then a “A Storm Cunningham Film” is written in there”
4.POV shot of Tom looking at the house
5.shot from in front of the house seeing Tom getting out of the car and starting to walk
6.Track shot of him going to the house
7.CU of his face looking around anxiously (next to him a door sign saying “featuring Tom and Alabama)
8.ECU of him looking through the window
9.mid shot of h8im hearing the noises
10.shot of the lights flashing behind the door
11.Tom walks back the mid shot and down the front door stairs until he ends in a long shot
12.Camera sits in the back of the car and sees Tom arrive and enter the car
13.Camera zooms into his eyes and the flashbacks begin
14.Fast cut àfrom long shot to ECU of the masks on the children (cold breath comes out and builds ( Produced by Amy Milan)
15.Cut to Tom
16.Shot of Tom stiching the mask (sticking stuff builds “Directed by Storm Webster and Stephanie Mareen”)
17.Cut to Tom
18.Bloody hands writing “Edited by Tom Cunningham”
19.Zoom out of Toms eye
20.Shot out of the window of the house seeing the car reverse
21.Close up of tom using the gear stick 22.Close up of him using the gas
23.Camera in the backseat – view through the front side seeing the car leave
24.Drives fast and the front lights hit a kid
25.Shot from behind the kid looking at the front lights of the car
26.ECU of Tom blinking
27.POV shot of toim and the kid is gone
28.Shot through the wind shield on the backseat is a child
29.Close-up of the child – breath coming out and building the title
Friday, 13 November 2009
plan
undertake primary research into real texts.
undertake primary/secondary research of audiences for real texts.
undertake primary/secondary research into real institutions.
produce a productyion schedule.
plan production.
script idea.
draw/plan a storyboard.
source sounds.
secure cast.
secure locations.
procede running order.
produce shot list for shoot day.
film production.
edit production.
undertake primary/secondary research of audiences for real texts.
undertake primary/secondary research into real institutions.
produce a productyion schedule.
plan production.
script idea.
draw/plan a storyboard.
source sounds.
secure cast.
secure locations.
procede running order.
produce shot list for shoot day.
film production.
edit production.
Thriller
Thriller is a broad genre of literature, film, television, and gaming that includes numerous and often overlapping sub-genres. Thrillers are characterized by fast pacing, frequent action, and resourceful heroes who must thwart the plans of more-powerful and better-equipped villains. Literary devices such as suspense, red herrings and cliffhangers are used extensively. "Homer's Odyssey is one of the oldest stories in the Western world and is regarded as an early prototype of the thriller." A thriller is villain driven plot, whereby he presents obstacles the hero must overcome. The genre is a fascinatingly flexible form that can undermine audience complacency through a dramatic rendering of psychological, social, familial and political tensions and encourages sheltered but sensation-hungry audiences, in Hitchcock's phrase, "to put their toe in the cold water of fear to see what it's like."
Friday, 6 November 2009
Synopsis of Thiller/Horror
An escaped orphan called Tony who is now aged 35, returns to an abandoned orphanage which is a mansion house in the English countryside. This is where he once was abused by catholic priests who thought abuseing them was for the good of the children and Christianity. The orphanage was abandoned because of the controversy when the abuses went public. In his day to day life, Tony is haunted through the voices and visions of his abandoned orphan friends when he escaped.Tony loses his job and his marriage he is being called back to the orphanage by the orphans which he abandoned. He goes crazy and returns to the mansion house where he imprisions himself for eternity.
Monday, 2 November 2009
defenition of thriller and horror.
Thriller: is a broad genre of literature, film, television, and gaming that includes numerous and often overlapping sub-genres. Thrillers are characterized by fast pacing, frequent action, and resourceful heroes who must thwart the plans of more-powerful and better-equipped villains. Literary devices such as suspense, red herrings and cliffhangers are used extensively. "Homer's Odyssey is one of the oldest stories in the Western world and is regarded as an early prototype of the thriller." A thriller is villain driven plot, whereby he presents obstacles the hero must overcome. The genre is a fascinatingly flexible form that can undermine audience complacency through a dramatic rendering of psychological, social, familial and political tensions and encourages sheltered but sensation-hungry audiences, in Hitchcock's phrase, "to put their toe in the cold water of fear to see what it's like."
Horror fiction is a genre of fiction in any medium intended to scare, unsettle and horrify the audience. Historically, the cause of the "horror" experience has often been the intrusion of a disturbing supernatural element into everyday human experience. Since the 1960s, any work of fiction with a morbid, gruesome, surreal, or exceptionally suspenseful or frightening theme has come to be called "horror". Horror fiction often overlaps science fiction or fantasy, all three categories of which are sometimes placed under the umbrella classification speculative fiction.
Horror fiction is a genre of fiction in any medium intended to scare, unsettle and horrify the audience. Historically, the cause of the "horror" experience has often been the intrusion of a disturbing supernatural element into everyday human experience. Since the 1960s, any work of fiction with a morbid, gruesome, surreal, or exceptionally suspenseful or frightening theme has come to be called "horror". Horror fiction often overlaps science fiction or fantasy, all three categories of which are sometimes placed under the umbrella classification speculative fiction.
Subscribe to:
Posts (Atom)
